Alla Pietro da Cortonas Oljemålningar

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40444

Allegory of Divine Providence and Barberini Power

mk156 1633-39 Fresco

94841

Allegory of Divine Providence and Barberini Power

Pietro da Cortona Year c. 1633-1639 cyf

23447

Giorification of the Rule of Urban Vii (nn03)

1633-9 Fresco Palazzo Barberini Rome

1545

Glorification of the Rule of Urban VIII

32466

Holy Family Resting on the Flight to Egypt

c. 1643 Oil on copper, 48 x 39 cm

33584

Holy Family Resting on the Flight to Egypt

mk86 c.1643 Oil on copper 48x39cm

21538

Holy Family Resting on thte Flight to Egypt (mk08)

c.1643 Oil on copper, 48x39cm Munich,Bayerische Staas-gemaldesammlungen, Alte Pinakothek

31007

La Nativite de la Vierge

mk70 Toile H.1.68 L.1.19 Paris,Musee du Louvre

51230

Landing of the Trojans at the Mouth of Tiberis

1651-54 Fresco Palazzo Pamphili

63824

Madonna and Saints

1626-28 Oil on canvas, 280 x 170 cm Museo dell'Accademia Etrusca, Cortona Pietro da Cortona's oeuvre contains splendid examples of rich altarpieces which are a triumph of his proud and exultant style. Some also provide memorable examples of Baroque taste. This painting was commissioned by the Passerini family for the church of S. Agostino in the painter's home town. In a civilized fashion, it trumpets the fact that some of the Passerini family were members of chivalrous orders. So we see the Knights of St Stephen (notice the cross on the cope of the pope, St Stephen), the Knights of Malta (represented by the figure of John the Baptist and the cloak in the centre) and the Order of Calatrava (St James the Great can be seen behind John the Baptist). Even in this quiet scene, there is an air of great energy and vigour, almost as if the saints were about to burst into song. The colours are also marvelously fresh and vivid.Artist:PIETRO DA CORTONA Title: Madonna and Saints Painted in 1601-1650 , Italian - - painting : religious

51234

Marcello Sacchetti

c. 1626 Oil on canvas

1547

Nativity of the Virgin

Musee du Louvre, Paris

20460

Nativity of the Virgin (mk05)

Canvas,66 1/4 x 47''(168 x 119 cm).Acquired from Eberhard Jabach in 1662 for the collection of Louis

32536

Ratto delle Sabine

mk79 1627-1628 Rome

1556

Romulas and Remus Brought Back by Faustulus

Musee du Louvre, Paris

20461

Romulus and Remus Brought Back by Faustulus (mk05)

Canvas,99 x 104 1/4''(251 x 165 cm)Commissioned ca.1643 by Louis Phelipeaux,Marquis de la Vrilliere,Secretary of State under Louis XIII and Louis XIV,together with works by Guercino,Reni,Turchi,and Poussin;seized in the Revolution from the collection of the DUc de Penthievre,Paris.INV

51233

Romulus and Remus Given Shelter by Faustulus

c. 1643 Oil on canvas, 251 x 266 c

29994

St.Martina Refusing to Worship Idols

mk67 Oil on canvas 39 3/8x30 11/16in Pitti,Palatine Gallery

96100

The Alliance of Jacob and Laban

between 1630(1630) and 1635(1635) Medium oil on canvas cyf

43580

The Golden Age

1641-46

58462

The Golden Age by Pietro da Cortona.

The Golden Age by Pietro da Cortona.

51231

The Guardian Angel

1656 Oil on canvas, 225 x 143 cm

28653

The Nativity and the Adoration of the Shepherds

mk61 before1656 Oil on canvas 51x40cm

95767

The Rape of the Sabine Women

oil on canvas Dimensions Height: 280.5 cm (110.4 in). Width: 426 cm (167.7 in). cyf

39627

The return of Hagar

mk150 c.1637 Canvas 123.5x99cm

82143

The Samian Sibyl

Date 17th century? Medium Oil on canvas Dimensions 104.2 x 78.8 cm cyf

52200

The Stoning of St Stephen

c. 1660 Oil on canvas, 260,5 x 149 cm

1559

The Stoning of St.Stephen 02

1660 The Hermitage, St.Petersburg

20459

Venus as a Huntress Appears to Aeneas (mk05)

Canvas,50 x 69 1/4''(127 x 176 cm).Perhaps painted in collaboration with Romanelli.Early collection

51200

Venus as Huntress Appears to Aeneas

Oil on canvas

95768

Virgin and Child with Saints

first half of 17th century Medium oil on canvas cyf

Pietro da Cortona

1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.

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